Lane Chasek

Chapbook Review: I Have Been Warned Not to Write About This by Ron Riekki

 

by Lane Chasek

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Past Jokes Review contributor Ron Riekki published a chapbook through Grandma Moses Press back in May. The book, I Have Been Warned Not to Write About This, features poems about wildfires, climate change, ex-addict family members, working at Domino’s, as well as one about an army bunkmate who claims to have been abducted by aliens.

Each poem delivers a swift, visceral punch to the reader’s gut. Riekki has always had a gift for depicting the frailty of the human condition, and here he showcases human frailty alongside the frailty of planet Earth itself. Each stanza promises an ending, a calamity—something at the edge of our vision that threatens to undo us but never makes itself fully visible. The end is inevitable, but its distance is comforting.

Since this is a Grandma Moses Press chapbook, this book is not only a pleasure to read, but a novel addition to a home library. The press’s 3 ⅜” x 5” limited-run chapbooks can be hidden anywhere—day planners, billfolds, purses, instruction manuals, and even inside other chapbooks. It pays to be discreet, especially when it comes to poetry.

Check out Riekki’s poetry in Jokes Review:

My Sister Said She Saw a UFO: 3 Poems

The Road Not Taken: 2 Poems


Lane Chasek (@LChasek) is the author of the nonfiction book Hugo Ball and the Fate of the Universe, the poetry/prose collection A Cat is not a Dog, and two forthcoming chapbooks, Dad During Deer Season and this is why I can't have nice things. Lane's current pride and joy is an essay he published in Hobart about Lola Bunny and the latest Space Jam movie.

Reading About Florida Man: Book Review and Review of the Sunshine State

by Lane Chasek

 
(Florida Man, Mickey J. Corrigan. Grandma Moses Press, 2020. Las Cruces, New Mexico.)

(Florida Man, Mickey J. Corrigan. Grandma Moses Press, 2020. Las Cruces, New Mexico.)

 

I recently read Mickey J. Corrigan’s chapbook Florida Man. As the title suggests, these poems are about Florida Man, a meme that blew up in the early 2010s which has since mutated into a symbol of American exceptionalism (if you consider dangerous, antisocial behavior exceptionalism). While reading this book, I also happened to be staying in Florida for a week, giving me a perfect chance to write about the book, the state, and the meme.

The Florida Man meme was born from bizarre news headlines which involve a Florida Man (or Florida Woman) getting arrested, killed, humiliated, or saving the day in bizarre ways. Such headlines include “Florida Man killed by alligators while hiding from cops,” “Florida Man chews off another man’s face,” “Florida Man claims wife was kidnapped by holograms,” and my favorite, “Florida Man catches huge tarpon while fishing from rainbow unicorn floaty.” A good Florida Man headline acts as a one-sentence tall tale, a narrative that satisfies our need for both the mundane and the absurd. We live in a time where Paul Bunyan’s exploits are tired relics of an older generation, the story of John Henry working himself to death reads more like a Marxist fable than a tall tale, and most people under the age of 25 don’t know who Dolemite is. So in place of these classics we’ve created Floridian Gilgamesh. And luckily for us, Mickey J. Corrigan has translated these headlines into poetry.

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The standout feature of Florida Man is Corrigan’s mimicry of the flat, objective tone of a news article. This lack of affect in Corrigan’s language recreates the clear-cut Associated Press style and contrasts with the surreal subject matter of each poem—which is part of the appeal of the Florida Man meme.

Speaking of subject matter, many of these poems are based on actual Florida Man headlines. “Frozen Food Lands on Roof of Florida Man’s Home,” “Drinking and Driving Florida Man Style,” and “Florida Man Goes on Honeymoon on Stolen Yacht” are all based on real events, and Corrigan succeeds at recreating the funny human-interest stories you’d expect from these headlines.

Of especial interest is “Florida Man Burns Down House Trying to Bake Cookies on George Foreman Grill,” which follows an inebriated, naked Florida Man who almost burns his house down while trying to bake cookies on his puny George Foreman Grill. Despite the absurdity of the situation, this poem’s Florida Man is more than a clown and becomes a mock hero. His efforts to save his home are ineffective as he tries to “dampen the fire/with dry towels” but I can’t help but love the guy’s determination. Florida Man at his best is a “superhero/of bad decisions” who demonstrates the heroism of the absurd, and even if he doesn’t win, he still makes us smile.

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Corrigan is originally from Boston but currently resides in southern Florida, so chances are Corrigan may have been nearby while I was reading Florida Man. My reading of Florida Man was inextricably bound to my time in Florida, and I’d like to say that I enjoyed Florida the state as much as Florida Man the book and Florida Man the meme, but I have to admit, I didn’t like Florida.

During my stay in Florida I was surprised that I didn’t see a single alligator. Where were they? So many Florida Man stories feature alligators, you’d think I’d find at least one.

I also bought some tomatoes from a fruit stand, and when I cut into them, all the seeds had germinated. They tasted like gravel. I got some oranges from that same fruit stand and they tasted like rice vinegar. I left my fruit for the anoles to eat, but the anoles didn’t seem interested.

~

Of course, there’s more to Florida than alligators, oranges, Disney World, and drunks burning down their houses. There’s a dark side to the Sunshine State, too.

As you read Florida Man you’ll notice that, while the concepts remain ridiculous, the tone becomes much darker. “Florida Man ‘Inspired’ by Wal-Mart Shootings” confronts mental illness and gun violence. “Florida Man Nearly Deported Even Though Born in US” tells a story about racial profiling and corrupt immigration policies. “Florida Mayor Fired, Acting Mayor Fired Too,” while hilarious, is a microcosm for how nepotism and buck-passing fucntions in American politics on both the local and federal levels. And “Florida Man Executes Zombie Attack” is about the infamous Miami Cannibal Attack of 2012. More on that soon.

For Corrigan, Florida Man morphs from absurd hero to villain, a symbol of the societal and political ills of America. In Corrigan’s own words:

            Florida man:
            indestructible
            and coming
            to a nightmare
            near you.

~

I was a junior in high school when the Miami Cannibal Attack occurred. Of course, back then everyone called it the Miami Zombie Attack because it was 2012 and America was obsessed with zombies.

The Internet transformed what should have been a routine (though gruesome) news item into a drug-addled, bloody, carnivalesque version of the truth. A man who was high on bath salts mutilated a homeless man over a (supposedly) missing Bible, which should have been horrific enough. Drug addiction, violence, homelessness, organized religion—this incident was already a modern-day nightmare before the Internet injected zombie mythology into it. I don’t know—even in high school, listening to my classmates jokes about zombie season in Florida felt sick.

O, Florida—what an unreal state you are! 

~

Every non-Floridian in Florida is there for Disney World or one of the thousands of other tourist destinations/mantraps that orbit Orlando, but I was there on family business, and when you’re not in Florida for fun, you start to realize how not-fun Florida is.

The humidity’s unbearable, for starters. The interstate traffic is bumper-to-bumper most of the time, and the local news stations are filled with stories about motorists falling into randomly-ocurring sinkholes. The tap water smells like hardboiled eggs, and every time I stepped out of the shower during my “vacation” I reeked of hot egg salad. And I know that some Floridians will want to stone me for saying this, but I don’t get the hype about Publix. It’s like Safeway, only more humid, and the subs are mediocre at best.

And this is where Florida Man was born—Florida Man in all his glory, goofiness, corrutpion, and wrath. My time in Florida reminded me that geography is integral to literature and the human experience. Just as Huckleberry Finn wouldn’t be Huckleberry Finn without the Mississippi River, and Crime & Punishment wouldn’t be Crime & Punishment without St. Petersburg, the Florida Man meme is inextricably tied to Florida—its backwaters, bayous, amusement parks, WalMarts, interstates, and decaying truck stops. Florida Man the book and Florida Man the meme made more sense to me while in the heart of the American Absurd.

So if you read Florida Man, try to read it in Florida. Don’t worry, the alligators don’t bite. In fact, you probably won’t see any.


Lane Chasek (@LChasek) is the author of the nonfiction book Hugo Ball and the Fate of the Universe, the poetry/prose collection A Cat is not a Dog, and two forthcoming chapbooks, Dad During Deer Season and this is why I can't have nice things. Lane's current pride and joy is an essay he published in Hobart about Lola Bunny and the latest Space Jam movie.

Capturing the Ethos of the Manifesto Genre

by Lane Chasek

 
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While reading submissions for Jokes Review’s upcoming manifesto issue, we’ve put a lot of thought into the question: what exactly is a manifesto? Technically, a manifesto is “a public declaration of intentions, opinions, objectives, or motives, as one issued by a government, sovereign, or organization.” But this definition doesn’t speak to the essence of the manifesto as a literary genre.

Sometimes literary works that might be considered manifestos are overt manifestos, while other times they’re more subtle. In either case, there is a distinct ethos of the manifesto genre, which I believe is two-pronged. These prongs are voice and nakedness of expression, discussed separately below.

Voice

The voice of a manifesto should be slightly manic and rushed. Some of my favorite literary manifestos, such as Frank O’Hara’s “Personism” and Kenneth Goldsmith’s “I Look to Theory Only When I Realize That Somebody Has Dedicated Their Entire Life to a Question I Have Only Fleetingly Considered,” are written in a type of voice which is neither conversational nor formal. These aren’t the voices of close friends or professors—they’re more the kind of voice you’d encounter from someone rapidly scrawling something on a taxi ride (which, in Frank O’Hara’s case, was how he actually wrote “Personism”).

A sense of urgency is great, but something I look for is the sense that a piece of literature was written while waiting for the bus or in the back seat of your ex’s SUV. Works such as The Communist Manifesto, while undoubtedly manifestos, have too much academic polish to truly capture the imagination. They read as if they were written at desks or in a personal study. When I think of strong voice, I usually have in mind literary or artistic manifestos, though killer manifestos will often possess this voice as well. This quality is rarer in political manifestos, though I’ve found some fliers for militias and anarchist groups throughout Nebraska and Kansas that display this quality in spades.

Nakedness of Expression

This aspect of the manifesto style is harder to describe and may seem closely related to voice, but I believe it’s unique. Whereas voice is a matter of style, nakedness of expression has more to do with content.

Nakedness of expression means that the writer of a manifesto will write what comes to their mind. Examples include Hugo Ball, in his Dada Manifesto, writing such passages as “Dada Tzara, dada Huelsenbeck, dada m'dada, dada m'dada dada mhm, dada dera dada, dada Hue, dada Tza.”

A more recent, controversial example comes from Christopher Dorner’s manifesto. This manifesto falls into the genre of manifesto most lay readers are aware of (i.e., the killer manifesto), and Dorner hits the common features of the classic killer manifesto, such as the author detailing what they perceive as society’s greatest injustices, their own experiences with these injustices, as well as their declaration of what they will do to address these injustices.

Toward the end of Dorner’s manifesto, he addresses various public figures and celebrities, ranging from Todd Philips to Hillary Clinton. But in the middle of these addresses, the reader encounters what may be the most human sentence ever written in the English language: “Damn, [I’m] gonna miss shark week.” This manifesto wasn’t planned—it’s an expression of a naked mind, and the erratic introduction of new ideas and concepts in Dorner’s writing reflects this.


Lane Chasek (@LChasek) is the author of the nonfiction book Hugo Ball and the Fate of the Universe, the poetry/prose collection A Cat is not a Dog, and two forthcoming chapbooks, Dad During Deer Season and this is why I can't have nice things. Lane's current pride and joy is an essay he published in Hobart about Lola Bunny and the latest Space Jam movie.